http://www.victoria-eden.uk/home daily 1.0 2021-05-26 https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1622025777569-XPFFKEKBH71ZYYP6QIVP/vessel-house-01.jpg Home https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1622025777569-XPFFKEKBH71ZYYP6QIVP/vessel-house-01.jpg Home https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1490219146226-C4XJ4V8PPEUL9LB2WUTF/vessel-house-04.jpg Home https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1490219453825-ZBR9Z340L2XX97ZDEB9E/IMG_2846.jpg Home https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1423859778103-5156X6EEBP13RNDRW6XZ/bay.jpg Home http://www.victoria-eden.uk/installations-1 daily 0.75 2015-03-20 https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1423936129808-RZTL91Z15S42NI5285M2/stone-01.jpg February 5th 2004 - February 5th 2004 - An ongoing project on Morecambe Bay       On the night of February 5th 2004 23 migrant workers from eastern China drowned as they gathered cockles from the sands of Morecambe Bay on the coast of north-west England. As a response to the tragedy I created a 40m long ceramic pathway to commemorate those who lost their lives. The installation is made up of 23 ceramic forms each constructed from red earthenware clay moulded on to individual plaster casts taken from the ripples and depressions in the sands on Morecambe Bay. Each piece represents one of the lost cockle pickers and uses screenprinted quotations from press reports to highlight the issues of migration, loss and modern slavery. This is a live project. It will not be completed until 2027 by which time each piece will have been returned to the sea 23 years after 23 people lost their lives due to the power of nature and the neglect of others. Individual names have been added in Chinese characters by Taiwanese artist and calligrapher Dr Chun-Chao Chui.                               https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1423936129808-RZTL91Z15S42NI5285M2/stone-01.jpg February 5th 2004 - February 5th 2004 - An ongoing project on Morecambe Bay       On the night of February 5th 2004 23 migrant workers from eastern China drowned as they gathered cockles from the sands of Morecambe Bay on the coast of north-west England. As a response to the tragedy I created a 40m long ceramic pathway to commemorate those who lost their lives. The installation is made up of 23 ceramic forms each constructed from red earthenware clay moulded on to individual plaster casts taken from the ripples and depressions in the sands on Morecambe Bay. Each piece represents one of the lost cockle pickers and uses screenprinted quotations from press reports to highlight the issues of migration, loss and modern slavery. This is a live project. It will not be completed until 2027 by which time each piece will have been returned to the sea 23 years after 23 people lost their lives due to the power of nature and the neglect of others. Individual names have been added in Chinese characters by Taiwanese artist and calligrapher Dr Chun-Chao Chui.                               https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1423936143711-TNRXL2EPLEZ6XMX8QEDS/stone-02.jpg February 5th 2004 - February 5th 2004 The piece is intended as a metaphorical pathway to the families in China who lost relations in the tragedy and expresses the way that the coastal communities of Britain are linked to them by the events of this night. The work is about the universal urge to be adventurous, to improve life and to provide for a family that leads men and women to travel far afield in search of work and prosperity and it is about those who mislead them and imperilled their lives. The project acknowledges the forces of nature that still rule our existence despite the sophistication of modern technology.   https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1423936156652-BTYT67MUMQUQ9BAUIWPS/stone-03.jpg February 5th 2004 - For Wu Hong Kang and Cao Chaokun "He had a red bag with him containing items for good luck" -piece for Wu Hong Kang. "In the rich world he was invisible. He became visible only by dying" -piece for Cao Chaokun. I was brought up in Morecambe and have family roots that go far back into the history of the town and the fishing industry. The incomparable beauty of the sands, sky and tide and the dangers they represent in fine weather or foul have been the background to my life which has been lived close to the coast apart from two formative years spent teaching in Thailand at the time of the Vietnam war. This connection between the Far East and my home environment gives the Morecambe Bay cockling tragedy a great personal significance. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1423936170884-MMDXEICT6N4CQMPDI18I/stone-04.jpg February 5th 2004 - For Guo Binglong "Tell my family to pray for me. I am dying" -piece for Guo Binglong. The top of the piece is printed with a map of Morecambe Bay. These are his last words sent in a text message as he realised he was lost to the tide. A film of the installation was made by Alex McErlain, Stephen Yates and John Davis of Manchester School of Art (Manchester Metropolitan University). To date it has been shown at 9 film or ceramic festivals in 5 different countries from Canada to Montpellier, France. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1423936218173-KK2LC5836UCKZHL7C0AI/stone-05.jpg February 5th 2004 - For Yang Tianlong "This is one way in which they work out their passage" -piece for Yang Tianlong.         https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1423936242227-U4G9FB7YH98ETV2P64RC/stone-07.jpg February 5th 2004 - For Wu Hong Kang "February 5th 2004" was shown as part of "Sigh of the Sea " a commemorative event for the 10th anniversary of the tragedy directed by More Music Morecambe and staged on the night of February 4th 2014 at the edge of sea. Community groups and visitors, many of them of Chinese origin, came together to use art and music to remember and celebrate the lives of the drowned cockle pickers. The pieces are hollow underneath and will float for a while before sinking. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1423936255235-IMQ5OIKWMZ0FBE89EE8U/stone-08.jpg February 5th 2004 - For Xie Xiaowen This piece is printed with 6 passport style photographs of the lost cocklers one of whom is Xie Xiaowen. It does not have any printed text on the side apart from his name in English and Chinese characters. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1423936268386-RK83UR09RE7B8VA0ANFK/stone-09.jpg February 5th 2004 - The Final Phase; The Return to the sea. Since the 10th anniversary commemorations in 2014 I have started to return the pieces to the sea. Within one or two days the pieces sink into the sand where they will eventually breakdown and become part of the Bay. My plan is to return one or two pieces to the sea each year on the anniversary of the tragedy and to continue to do this for 23 years from the date of the disaster. This will mean that the final piece will be returned to the sea in 2027, if I am not alive others will do it for me. This image shows the pieces for Lin Lishu and Xie Xiaowen when they were returned to the sea on February 5th 2015. The sinking was off the shore at Bolton le Sands within sight of Priests Skeer the sandbank where the cocklers were stranded. Previously returned to the sea were the pieces for Cao Chaokun, Wang Xiuyu, Lin Zhifang and Lin Guohua. http://www.victoria-eden.uk/aspirations-and-desire daily 0.75 2023-01-07 https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095359472-UMIK3SLQEEFF04PXOFDM/cabinet01.jpg Cabinets of Aspirations and Desire - CABINETS OF ASPIRATION & DESIRE: These pieces were made using objects taken from my Mother's house when it was cleared in 2013. Her life has spanned much of the 20th century and to me these artifacts speak volumes about the challenges and aspirations of many women at that time as they established their homes and raised families in the post war decades of the 1950s, 60's and 70s.   The figure is a Victorian plaster statuette representing Photine, the biblical woman at the well*. Her suggestive clothing and pose portray a sensual woman who is sanitised for polite society by her presentation as a biblical figure. The message she gives to the world is that her owner is both cultured and artistic with a proper respect for religion, but in truth she is simply a sexy ornament! Her blindfold refers to the trapped position of women at the time she was created- she is a piece of property with few legal rights and many constraints on her behaviour.   *Photine gave Christ water at a well and became involved with him in a conversation that is referred to as “The Water of Life Discourse”, details can be found in John 4:10-26. In Oaxaca, Mexico a celebration of Photine takes place on the 4th Friday of Lent. On this day churches, schools and businesses give away fruit drinks to passers by. H:84cm W:65cm D:40cm   https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095359472-UMIK3SLQEEFF04PXOFDM/cabinet01.jpg Cabinets of Aspirations and Desire - CABINETS OF ASPIRATION & DESIRE: These pieces were made using objects taken from my Mother's house when it was cleared in 2013. Her life has spanned much of the 20th century and to me these artifacts speak volumes about the challenges and aspirations of many women at that time as they established their homes and raised families in the post war decades of the 1950s, 60's and 70s.   The figure is a Victorian plaster statuette representing Photine, the biblical woman at the well*. Her suggestive clothing and pose portray a sensual woman who is sanitised for polite society by her presentation as a biblical figure. The message she gives to the world is that her owner is both cultured and artistic with a proper respect for religion, but in truth she is simply a sexy ornament! Her blindfold refers to the trapped position of women at the time she was created- she is a piece of property with few legal rights and many constraints on her behaviour.   *Photine gave Christ water at a well and became involved with him in a conversation that is referred to as “The Water of Life Discourse”, details can be found in John 4:10-26. In Oaxaca, Mexico a celebration of Photine takes place on the 4th Friday of Lent. On this day churches, schools and businesses give away fruit drinks to passers by. H:84cm W:65cm D:40cm   https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095368981-N3E1Y9Q7M1GWG5H0KBYG/cabinet01b.jpg Cabinets of Aspirations and Desire - Photine 2014 The figure represents many things: ostensibly she is a biblical character, the woman at the well, and as such she is an appropriate subject for the home, but her provocative clothing and voluptuous body suggest an eroticism that is acceptable under the guise of Art. Hypocrisy lurks!       https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095377404-GDNO5G378ZX9I8210WUG/cabinet01c.jpg Cabinets of Aspirations and Desire - Photine 2014   She is imprisoned by the church-like building, there is no door, freedom is available but she is blindfolded and unable to embrace a life away from domesticity. The alcoves contain withered apples and the gold on the dome is very thin.     https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1422214179990-I9XMDC0U6MKCVNQNTMDM/AandD-01.jpg Cabinets of Aspirations and Desire - Photine 2014 20th century women women had more comfort, more objects and control of their fertility, but life did not necessarily offer fulfilment. Inside the walls shadows play. Life is fragile.   https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095428231-VQN41BJLK7ACDC54CFX1/AandD-01-detail.jpg Cabinets of Aspirations and Desire - Photine 2014: alcove detail 1 The alcoves contain withered fruit from an apple tree which flourishes in my garden.   https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095438818-GO7BOOCHUNT5NQ5UKH0V/AandD-01-detail-02.jpg Cabinets of Aspirations and Desire - Photine alcove detail 2 The apples, half hidden in the shelter of the alcoves, are a poignant reminder of the circle of life.   Slab built using terracotta clay, bisc to 1000C followed by smoke firing using oak shavings and sawdust, French plaster figure, withered apples, discarded tap, 22 carat gold leaf, petersham ribbon. Height: 84cm Width: 65cm Depth: 40cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095447038-ZEUCLTBM91RAS15U2K1D/cabinet02.jpg Cabinets of Aspirations and Desire - The Knife Cabinet 2014 Homes aspired to glittering fish knives. Rarely used, but regularly cleaned, they reinforced the notion of ordered, genteel living and kept a silent guard of unseen cuts. The RAF buttons are a quiet reminder that the turbulence of war is not far behind. H: 40cm W: 25.5cm D: 19.5cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095455710-9PYSED0BX5FJX575FZE1/cabinet02b.jpg Cabinets of Aspirations and Desire - The Knife Cabinet 2014 The knives are displayed and carefully controlled in their cabinet. Knitting needles hold things together. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095467500-K385YXPC51GBFBPS5V7A/cabinet02c.jpg Cabinets of Aspirations and Desire - The Knife Cabinet 2014 (rear view) Behind the flat back of the cabinet sits a small rusted tin that contains charred paper remains. Slab built using terracotta clay, bisc to 1000C followed by smoke firing using oak shavings and sawdust, 5 fish knives with bone handles, knitting needles, withered apples, silver plated fruit spoon and small pastille tin.   https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095476126-NR8107S05SVZ63P4N24Z/cabinet04.jpg Cabinets of Aspirations and Desire - Arcadia 1: Female 2014 With new prosperity ordinary homes aped those of the well-to-do with ornaments (mostly from Staffordshire) to proclaim status, but without domestic help cherished objects imposed their own tyranny on a housewife.   H: 48.5cm W: 21cm D: 11.5cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095486058-N6FSGUSR0T9RKS8MM251/cabinet04b.jpg Cabinets of Aspirations and Desire - Arcadia 1: Female 2014 There is no truth in the sweet little shepherdess, she is entrapped by the ideas of others. Nature, life itself, is harsher beneath the surface than anyone cares to admit. Slab built using terracotta clay, bisc to 1000C followed by smoke firing using oak shavings and sawdust, porcelain figure, 22 carat gold leaf, withered apples, necklace chain, amethyst heart, sugar tongs, knitting needles and lace bobbin.     https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095493758-06JWMPP2707W0S7O5T5R/cabinet03b.jpg Cabinets of Aspirations and Desire - Arcadia 2, Male 2014 Like his female counterpart the young shepherd is not all he seems to be . Locked in his own cabinet he is separated from her and lives his own emasculated life.   Slab built using terracotta clay, bisc to 1000C followed by smoke firing using oak shavings and sawdust, withered apples, pocket watch, keys, crochet hook, knitting needles, 22 carat gold leaf, reclaimed washer and screw. H: 48.5cm W: 21cm D: 11.5cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095503758-U5V42I0BNNRP4RD8JF0A/cabinet03.jpg Cabinets of Aspirations and Desire - Arcadia 2 : Male 2014 A glimpse into the interior reveals an image of perfection. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095511700-0J4SXQCV6C2TP713C1M8/cabinet05.jpg Cabinets of Aspirations and Desire - Arcadia 1 & 2: Male & Female 2014 Safe in their separate cabinets the myth continues unquestioned. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095519926-KQ3YPVUZEH9W4289ER58/cabinet05b.jpg Cabinets of Aspirations and Desire - Arcadia 1 & 2: Male and Female 2014 Hopes and dreams are safely locked away. Nevertheless, it is always possible to peep through the spy hole in the doors. The interior can be seen, its just not easy. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095527954-ECF25VXM9TVQWJKBR1ZL/guardians.jpg Cabinets of Aspirations and Desire - The Guardians 2014 Small Chinese warriors, copies of the terracotta army, guard a formidable wall. An alcove in the wall houses a symbolic horse protected by a heavy door. The space within is completely unknown, could it hide something of importance? Could this precious, or deadly, commodity be a genetic inheritance? Is the security of the wall in doubt? will it all come crashing down?   H: 46cm W: 36.5cm D: 8cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095536879-CMUT4FZDJ2J2ACD9DP8U/guardians-detail.jpg Cabinets of Aspirations and Desire - The Guardians 2014 - detail Fire has attacked the wall but the guardians keep it safe. Is this sustainable? The shadow of conflict persists. Slab built using terracotta clay, bisc to 1000C followed by smoke firing using oak shavings and sawdust, Chinese models, in resin, of terracotta army soldiers, 22 carat gold leaf, RAF uniform button. This piece is developed in the Guarded Space series. To view these click on Beyond Words (bottom left) and select Guarded Spaces. http://www.victoria-eden.uk/portals daily 0.75 2016-03-10 https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1422215559897-GPEMWV5NRNM1E3GVX3AO/portal-01.jpg Portals - Portal 1, 2014 The portals invite the eye to the inside. What lies inside is unclear and how it is read will depend upon the individual. There is no definitive explanation for the interior and what it represents; it is difficult to explain. As with many aspects of human thought and emotions it is beyond words. Small portal H: 13cm W: 9.5cm D: 3cm Terracotta crank clay 1000c, smoke fired using oak shavings + gold leaf https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1422215559897-GPEMWV5NRNM1E3GVX3AO/portal-01.jpg Portals - Portal 1, 2014 The portals invite the eye to the inside. What lies inside is unclear and how it is read will depend upon the individual. There is no definitive explanation for the interior and what it represents; it is difficult to explain. As with many aspects of human thought and emotions it is beyond words. Small portal H: 13cm W: 9.5cm D: 3cm Terracotta crank clay 1000c, smoke fired using oak shavings + gold leaf https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1422216248928-BT9RI6CWI57MTJH4HLEI/portal-02.jpg Portals - Portal 2, 2014   The gold is merely a thin veneer but it has the power to draw us inside.   Small portal H: 13.5cm W: 9.5cm D: 4cm Terracotta crank clay 1000c, smoke fired using oak shavings, newspaper + gold leaf https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1422216695720-8U2HUN008GAUO2PO42FS/portal-03.jpg Portals - Portal 3, 2014 The portals reflect my interest in the interior, at the same time they also echo the limestone rock formations where I live. In this environment large blocks of stone (clints) are separated by deep gullys (grikes) eroded by water over the passage of time. The curiosity they excite about what lies within and what remains hidden is a starting point for these pieces.   Small portal H: 13.5cm W: 9.cm D:4cm Terracotta crank clay 1000c, smoke fired using oak shavings and newspaper + gold leaf https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1422309983049-0UXI1A708LXCGMEQIZ6D/portal-04.jpg Portals - Portal 4, 2014 Sometimes what is inside is unknowable but often there will be small opening that gives the hope of a way forward.   Small portal H: 14cm W: 10cm D: 4.5cm Terracotta crank clay 1000c, smoke fired using oak shavings + gold leaf https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1425683794862-MFFUCYIFNK1SVFU63YPQ/portal-06.jpg Portals - Portal 5 2014 Living in a highly technological society we disregard the immense power of natural forces at our peril. In the Portal series the wood and stone impressions in the clay and the graphic drama of the smoke firing provide a visual acknowledgement of the massive strength of nature.   Small portal H: 15cm W: 12cm D: 4.5cm Terracotta crank clay 1000c, smoke fired using oak shavings     https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1422310054730-FS85F44XR16OY2Z1U9UZ/portal-group.jpg Portals - Portal group, 2014 The portals can stand alone or the can gather in a group, either way they can be a focus for thought and meditation. The message will be different for each person.     Terracotta crank clay 1000c, smoke fired using oak shavings + gold leaf https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1457606854933-RWSI045YJ4TI9GRR08J6/image-asset.jpeg Portals - Large Portal 2015 (front) The aperture draws in the viewer but there are there many layers to be negotiated before leaving the piece, and as ever the interior is unknown.       Terracotta crank clay 1000c, smoke fired using oak shavings. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1457607425324-V5O8EYEZDTBV1RXOUSH9/image-asset.jpeg Portals - Large Portal 2015 (back) The back of the form reveals the layers that enfold and enclose the inner space.   Terracotta crank clay 1000c, smoke fired using oak shavings. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1457452004445-UKNAESCMVBJ2ZS5ISE3O/IMG_7479.jpg Portals - Cathedral Portal 2015 The receding cavity draws the onlooker far into the form, as clints of limestone can pull the eye deep into adjacent grikes. This piece simultaneously suggests rock formations and architectural form. It creates an enclosure whilst emphasising that protective spaces are made and needed by both humans and nature. The final chink of light can be read as a barrier or an entrance and so the piece offers both protection and opportunities. H.34cm W.23cm D.24cm Terracotta crank clay 1000c . Smoke fired using oak shavings. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1426867306699-VXM1QLOD8RBDEN51LJTA/portal-group-02.jpg Portals - Hand Held Portals with Birds Nest Bowl 2015 The hand held portals surround a birds nest bowl that is lined with gold leaf. The shape draws you inside whilst the metal reflects the outside.   Terracotta crank clay 1000c, smoke fired using oak shavings, bird's nest + gold leaf https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1425683865420-N5B6I3MQYN5DPWYFCD47/portal-hand-01.jpg Portals - Hand Held Portal 2015 Touch, sight and the imagination explore the portal and the mind is prompted to consider rock, metal and fire whilst questioning the meaning of the interior and the exterior. Is it a sensory object? Is it a metaphor? Does it say something beyond words?   Length 11.5cm Width 10cm Depth 6cm Terracotta crank clay 1000c, smoke fired using oak shavings + gold leaf https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1457604338031-Z3JFNABY744RDSFVBM81/image-asset.jpeg Portals - Stack of Hand Held Portals 2015-16 Each portal, protected within a black ceramic box, contains a space that can be viewed through an aperture. The portals can easily be removed and replaced for handling and contemplation. One piece is in shards. Stacked together and defended by each other, the pieces gain strength and power. H:49cm W:81cm D:12cm Terracotta crank clay 1000c, smoke fired using oak shavings, gold leaf, gold glaze. Boxes: Scarva black clay fired to 1145c https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1457606241278-2PLDGA4ZDZLKQJV54XHS/image-asset.jpeg Portals - Stack of Hand Held Portals 2015-16 (Detail) The portals are restricted, but protected, in a formal black clay box. The interiors are the home of metaphors and similes; the holder's role is interpretation.   Terracotta crank clay 1000c, smoke fired using oak shavings, gold leaf, gold glaze. Boxes: Scarva black clay fired to 1145 https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1457607844508-GYTFF0L2JHEUGR23GLQD/image-asset.jpeg Portals - Sketch piece for Repository of Bad Ideas 2015-16 In the final piece 15 portals will be stacked to create an installation 1.5m high by 1.35m wide. Viewers will be invited to post messages on rolled slips of paper into the portals detailing what they believe to be bad ideas. Bad ideas could be personal or those of others; they could be abstract concepts, ideas from history or for the future..... the writer may interpret the concept as they wish. From the harvest of bad ideas gathered in the repository I plan to develop a new piece of work. Each box is 31cm x 24cm Terracotta crank clay 1000c, smoke fired using oak shavings. Boxes: Scarva black clay fired to 1145 https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1457608995369-B2APYWZNZZDWZW4AHQ7H/image-asset.jpeg Portals - Repository of Bad Ideas 2015-16 (detail) The smoke has created a halo effect to emphasise the slits that open the portal. Messages can be posted through these slits as a symbolic act of disposing of bad ideas.   H:31cm W:24cm D:13cm Terracotta crank clay 1000c, smoke fired using oak shavings.Boxes: Scarva black clay fired to 1145 https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1457610306969-EXAZCFYKZY2ZZOBGN1O5/image-asset.jpeg Portals - Sketch for Repository of Good Ideas 2015-16 The counterpart to the Repository of Bad Ideas is The Repository of Good Ideas. Within these porcelain enclosures positive thoughts and concepts can be garnered. The portals are sheltered within the black ceramic boxes. As with the negative repository I plan to respond to the written ideas with an answering piece of work.   H:19cm W:12cm D:12cm Porcelain fired to 1250C, black clay to 1145C http://www.victoria-eden.uk/new-gallery daily 0.75 2015-09-22 https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1425680628197-ATVD0TLNLZXHLPY7REUS/aftermath-01.jpg Aftermath - Aftermath 1 2015 Entrances and apertures remain in a form that has been destroyed. The narrative comes from within the viewer, the individual must interpret the story. The openings draw the eye to the sooty darkness of the inside but they also take the vision beyond the form, beyond the trauma, to a new unknown.   Height:65cm Width:30cm Depth:12.5cm Terracotta crank clay 1000c + reclaimed nails, smoke fired using oak shavings https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1425680628197-ATVD0TLNLZXHLPY7REUS/aftermath-01.jpg Aftermath - Aftermath 1 2015 Entrances and apertures remain in a form that has been destroyed. The narrative comes from within the viewer, the individual must interpret the story. The openings draw the eye to the sooty darkness of the inside but they also take the vision beyond the form, beyond the trauma, to a new unknown.   Height:65cm Width:30cm Depth:12.5cm Terracotta crank clay 1000c + reclaimed nails, smoke fired using oak shavings https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1425680634520-SW6QIIXYQR0ATQ87U63N/aftermath-02.jpg Aftermath - Aftermath 2 2015 The three separate forms can be reconfigured to create a different whole. In this piece the apertures are aligned in such a way that the eye of the viewer must move through three different layers to see the space behind.   Height:65cm Width:30cm Depth:12.5cm Terracotta crank clay 1000c + reclaimed nails, smoke fired using oak shavings https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1425680643167-KSPP1GZY6P2PGD2JCM14/aftermath-03.jpg Aftermath - Aftermath 3 2015 A third configuration of the Aftermath piece.   Height:65cm Width:30cm Depth:12.5cm Terracotta crank clay 1000c + reclaimed nails, smoke fired using oak shavings https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1425680646795-W3V3H6KFG0B500X5NG5L/aftermath-04.jpg Aftermath - Aftermath 3 (detail) 2015 Terracotta crank clay 1000c + reclaimed nails, smoke fired using oak shavings https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1425680655685-R2K8702BTDR9JAYU74QR/aftermath-06.jpg Aftermath - Aftermath 4 2015   Apertures reveal a dark enclosed space with an inaccessible interior.   Height:65cm Width:30cm Depth:12.5cm Terracotta crank clay 1000c + reclaimed nails, smoke fired using oak shavings   https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1425680650944-X8XO00LEDBXEB8TBMSB6/aftermath-05.jpg Aftermath - Aftermath 4 (detail) 2015 https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1425680662065-KEMKJVKSL6B6KQVZ76G5/aftermath-07.jpg Aftermath - Aftermath 5 2015 Openings give piercing glimpses of light that lead the eye beyond the interior. Regularity counterbalances destruction.   Height:41cm Width:24cm Depth:6cm Terracotta crank clay 1000c + reclaimed nails, smoke fired using oak shavings https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1425680666097-WWO21HFOEM1D1NWFXHLA/aftermath-08.jpg Aftermath - Aftermath 5 2015 A rear view of Aftermath 5. From this angle the interior is even less visible and the feeling of containment becomes greater. Terracotta crank clay 1000c + reclaimed nails, smoke fired using oak shavings     https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1425680677527-IXKH6HHUN4K6J3OG0R5Y/aftermath-10.jpg Aftermath - Aftermath 6 2015 Aperture is masked by aperture. The view into the interior becomes complicated.   Height:41cm Width:28cm Depth:9cm Terracotta crank clay 1000c + reclaimed nails, smoke fired using oak shavings     https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1425680672315-0KDKGCS63JGK4B71HRWR/aftermath-09.jpg Aftermath - Aftermath 6 (detail) 2015 Detail of the pierced facades.   Terracotta crank clay 1000c + reclaimed nails, smoke fired using oak shavings   http://www.victoria-eden.uk/guarded-spaces daily 0.75 2016-03-10 https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1457363918373-V2TQHN4SOD0EPAK56HRM/image-asset.jpeg Guarded Space 3 - Guarded Spaces The walls enclose an inner space that feels almost impenetrable; the perforations allow the viewer only limited access to the space within. Simultaneously, the mysterious interior draws in as the walls repel. Smoke fired terracotta clay. Each piece: height 50cm, width 30cm, depth 6cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1457363918373-V2TQHN4SOD0EPAK56HRM/image-asset.jpeg Guarded Space 3 - Guarded Spaces The walls enclose an inner space that feels almost impenetrable; the perforations allow the viewer only limited access to the space within. Simultaneously, the mysterious interior draws in as the walls repel. Smoke fired terracotta clay. Each piece: height 50cm, width 30cm, depth 6cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1457367112902-UCUYJFC8HMC2QCT1RGDT/image-asset.jpeg Guarded Space 3 - Guarded Space 1 The back and sides are equally impenetrable. Defence is all. There is no welcome. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1457368941880-1PY5MHVV8QD4U9YDKOF1/image-asset.jpeg Guarded Space 3 - Guarded Space 2 [detail] Conjecture and imagination must create the interior. The ravages of fire and smoke create the exterior. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1457368517753-V2GA9YQHOPY89AGA37F1/image-asset.jpeg Guarded Space 3 - Guarded Spaces 1, 2 & 3 Fortress walls guard the space within. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1457367946166-FIKVTY4HCTKF5IUL1YUU/IMG_7501.jpg Guarded Space 3 - Guarded Space 3 Beady eyes watch from the inner sanctum, the watcher goes unseen. http://www.victoria-eden.uk/new-gallery-2 daily 0.75 2023-01-07 https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673093800646-XI0C4Q2Q4WA76V8K67TP/vessel-house-02.jpg Everywoman/Everyman - Vessel Houses 1, 2, & 3 2017 The forms take on a more domestic scale and refer to my previous work as a maker of functional pottery. Vessel House 1 (left): Heart of Gold Vessel House 2 (centre): Heart of Darkness Vessel House 3 (right): Unknown Interior Each piece provides a home or at least a shelter for Everywoman/Everyman. Here their inner self is formed, it can be glimpsed through the doorway but much remains hidden. The shadows from the interior have a long reach into the world.   Black clay fired to 1200c, porcelain figures finished with gold leaf, brass wire & nail. All pieces maximum H:23 Dia:13cm (approx) https://static1.squarespace.com/static/54c4baf0e4b0e39e5e211a77/58c27c81a5790ae22306e5dd/58c27ce4d2b8574cf9c2dc5b/1489140964048/ Everywoman/Everyman https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673093800646-XI0C4Q2Q4WA76V8K67TP/vessel-house-02.jpg Everywoman/Everyman - Vessel Houses 1, 2, & 3 2017 The forms take on a more domestic scale and refer to my previous work as a maker of functional pottery. Vessel House 1 (left): Heart of Gold Vessel House 2 (centre): Heart of Darkness Vessel House 3 (right): Unknown Interior Each piece provides a home or at least a shelter for Everywoman/Everyman. Here their inner self is formed, it can be glimpsed through the doorway but much remains hidden. The shadows from the interior have a long reach into the world.   Black clay fired to 1200c, porcelain figures finished with gold leaf, brass wire & nail. All pieces maximum H:23 Dia:13cm (approx) https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673093823617-ZD6XBNOLH7XKJM8H3ARB/vessel-house-04.jpg Everywoman/Everyman - Vessel Houses 1, 2, & 3 2017 Everywoman/Everyman can move freely out of their vessel but the shadow it casts must come with them. Vessel House 1 has a rich gold leaf interior. Vessel Houses 2 & 3 have a soft inky black light-absorbing internal surface.   Black clay fired to 1200c, porcelain figures finished with gold leaf, brass wire & nail. All pieces maximum H:23 Dia:13cm (approx) https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673093841044-LNCVFYN1MYMQ2OJOU04S/gold-figures-01.jpg Everywoman/Everyman - Vessel House Figures 2017 The figures show the outward facade of Everywoman/Everyman. They are delicately poised on their shadows showing their outer brilliance, at this moment their environmental, cultural and genetic inheritance are not on show.     Black clay fired to 1200c, porcelain figures finished with gold leaf. All pieces maximum H:10 L: 16cm (approx) https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094239262-TMKDE6D1L498FLCI5VC6/Vessel-House-4-abode.jpg Everywoman/Everyman - Vessel House 4: Abode 2017 The inside of the house is inky black, Everywoman is glimpsed as she journeys through.     Black clay fired to 1200c, moveable porcelain figure finished with 24carat gold leaf. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094272052-8MBUFC9MVJIIDTU2MIX3/Vessel-House-retreat.jpg Everywoman/Everyman - Vessel House 5: Retreat 2017 Everywoman shelters in the vessel house as the journey of life continues.     Black clay fired to 1200c, moveable porcelain figure finished with 24carat gold leaf. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1506334078477-CFUBF595FN3UPSYXR2GC/Vessel-House-tunnel-02.jpg Everywoman/Everyman - Vessel House Tunnel 2017 Everywoman is at the end of a long tunnel, the dark interior challenges our comprehension.       Black clay fired to 1200c, moveable porcelain figure finished with 24carat gold leaf. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094365959-BF34YJUV60M88XGUTZV4/Vessel-House-tunnel-03.jpg Everywoman/Everyman - Vessel House Tunnel 2017 (side view) The tunnel enfolds an uncompromising interior.       Black clay fired to 1200c, moveable porcelain figure finished with 24carat gold leaf. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094377080-GPZZMA70YMRLBMXZ86LU/Vessel-House-tunnel-04.jpg Everywoman/Everyman - Vessel House Tunnel 2017 (end view) Everywoman emerges into the light.       Black clay fired to 1200c, moveable porcelain figure finished with 24carat gold leaf. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094386803-3C0EV3RQG232LZQQB2C0/black-box-02.jpg Everywoman/Everyman - All That's Gone Before 2017 Within a black ceramic box the Everywoman/Everyman figure is supported by a fragment of Cycladic pottery over 2000 years old. This piece is the first of a new series using found objects framed within the parameters of a container.     Black ceramic box fired to 1200c, pottery fragment, porcelain figure with gold leaf. H:12 W:19 D:12cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094400748-FX4THTUVKAGL648Z3CEZ/secrets-02.jpg Everywoman/Everyman - Heredity 1: Secrets of the House 2016 The house can be read as a metaphor for family or place. It is the construct within which a life is lived and has the power to support or suffocate.   Black clay fired to 1200c, porcelain figure with gold leaf. H:38.5 W:19.5 D:6.5cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094464299-7D3LMG6SJWL43AEH1TOE/secrets-close-up.jpg Everywoman/Everyman - Heredity 1: Secrets of the House 2016. Detail As the figure, Everywoman/Everyman, moves through life they are created and formed not only by their genetic inheritance but also by their natural and cultural environment. Some influences will constrain them and some will free them. The possibilities of what a person may become are endless. How they seem to others may be very different from how they experience themself. Black clay fired to 1200c, porcelain figure with gold leaf. H:38.5 W:19.5 D:6.5cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094420878-GEECWJK89SB36VGJOF25/secrets%252Bbroken-home-01.jpg Everywoman/Everyman - Heredity 2: Broken Home 2016 Right hand of image The house has cracked and broken under the intensity of the fire but it has been rebuilt and, to some extent at least, it has regained its earlier form. It can provide a context and shelter for Everywoman/Everyman.   Smoke fired porcelain clay, porcelain figure with gold leaf. H:27.5 W:23 D:5cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094432868-GMUYBW2DTZVSUY5K6QPA/broken-home-03.jpg Everywoman/Everyman - Heredity 2: Broken Home 2016 Front elevation The fire has ravaged the house leaving indelible smoke stains. Everywoman/Everyman continues to move through the structure. In this way life's journey goes on.     Smoke fired porcelain clay, porcelain figure with gold leaf. H:27.5 W:23 D:5cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094443626-FE55GRQ10JOI9QYI152B/broken-home-02.jpg Everywoman/Everyman - Heredity 2: Broken Home 2016 Rear Elevation The fissures are deep and clear but the structure holds and encloses the space within.   Smoke fired porcelain, porcelain figure with gold leaf. H:27.5 W:23 D:5cm http://www.victoria-eden.uk/heredity daily 0.75 2023-01-07 https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094551576-JRC9YGKF9QY8A9SL30LM/heredity-01.jpg Inheritance - Guarded Space 3 2017   This piece grew from the Guarded Space pieces of last year as I continued to explore the notion of an unknowable interior. The glittering but time worn facade makes it difficult to assess the dark and mysterious interior. Meanwhile the walls enclose an inner space that feels almost impenetrable as the perforations allow the viewer only limited access to the space within.   Smoke fired terracotta clay with 24 carat gold leaf H:50 W:30 D:8cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094551576-JRC9YGKF9QY8A9SL30LM/heredity-01.jpg Inheritance - Guarded Space 3 2017   This piece grew from the Guarded Space pieces of last year as I continued to explore the notion of an unknowable interior. The glittering but time worn facade makes it difficult to assess the dark and mysterious interior. Meanwhile the walls enclose an inner space that feels almost impenetrable as the perforations allow the viewer only limited access to the space within.   Smoke fired terracotta clay with 24 carat gold leaf H:50 W:30 D:8cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094563189-D0900ESS2N5RLWHVBTET/heredity-02.jpg Inheritance - Guarded Space 3 2016 side view The golden exterior is only a facade and what lies behind is ravaged by time and the elements. Where does the truth lie?   Smoke fired terracotta clay with 24 carat gold leaf H:50 W:30 D:8cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094572883-23YXW6XFZQIC22E3EG0X/heredity-smoked-01.jpg Inheritance - DNA Inheritance 1 2016 (Wall Piece) An individual becomes unique in many different ways . One important factor in what makes us is our DNA inheritance, yet most of us know little about our genetic make up, it is an aspect of of our unknown interior. The perforations are a visual metaphor for this unknown basis to ourselves. Smoke fired terracotta, 24 carat gold leaf H:31 W:31 D:3.5cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094582797-7QH2JVAD4Y6LTGM6RYTV/heredity-smoked-02.jpg Inheritance - DNA Inheritance 2016 (Wall Piece) We may have knowledge of our parents and grandparents and of relatives even further back than that, but our unknown genetic inheritance is mysterious and reaches deep into history. The exterior is marked by time and fire yet inside there is light and gold that hint at hidden resources.   Smoke fired terracotta, 24 carat gold leaf H:21 W:21 D:3.5cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094598844-TT4KJK1ZXE2NXX07JJRQ/heredity-06.jpg Inheritance - DNA Inheritance 3 2016 (Wall Piece) The exterior is rich and tempered by the forces of nature but the interior remains difficult to discern. The perforations offer a clue to the hidden inside.   Smoke fired terracotta clay with 24 carat gold leaf H:24 W:27 D:3cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094630157-OPCN3XYHHITB6VNRNVYG/heredity-07-detail.jpg Inheritance - DNA Inheritance 3 2016 (detail)   The terracotta surface is stained with smoke and finished with 24 carat gold leaf.   Crank terracotta fired to 1000C , smoke fired then gilded with 24 carat gold.   https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094639155-992OLYEUDHXV4190H84A/heredity-05.jpg Inheritance - DNA Inheritance 4 2017 (Wall Piece) The outer facade is richly embellished yet it is also decayed and altered by the passage of time and the forces of nature. The base material is beginning to push through the gilding. Meanwhile the apertures speak of a huge genetic inheritance and provide brief glimpses of the interior. There are more questions than answers. "The process of life is the unravelling of the truth about ourselves." Anthony Seldon   Smoke fired terracotta clay with 24 carat gold leaf H:24 W:51 D:4cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094984596-4RUXFQEL94LO8AU5F0GQ/glazed-panel-13.jpg Inheritance - Hidden Inheritance 1 2017 (Wall Piece) Layers of colour create a facade that offers restricted and controlled glimpses of the interior. It is not possible to view the golden inner space as a whole.   Glazed terracotta clay with 24 carat gold leaf interior H:21 W:21 D:3.5cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094675242-OKGS3OZRL4QPDGRHCAJX/glazed-panel-04.jpg Inheritance - Hidden Inheritance 2 (Wall Piece)   The space within is seen through layers of rich slipware glazes. The repeated apertures are redolent of an individual's unknown genetic inheritance.   Glazed terracotta clay with 24 carat gold leaf interior. H:31 W:31 D:3.5cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1489932389652-U2T11ULTO54MB6XT9YII/glazed-panel-08.jpg Inheritance - Hidden Inheritance 3 (Wall Piece) The watery surface creates a facade that diverts eye from the interior. It is clear that there is a volume of space behind the reflections but how can it be accessed?   Glazed terracotta clay with 24 carat gold leaf H:24 W:49 D:4cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673094960781-YCAW7LHBL65ZAL76BATN/glazed-panel-01.jpg Inheritance - Hidden inheritance 4 (Wall Piece) The outer layer reflects the environment back to the viewer, but it is viciously slashed to reveal a golden space within.   Glazed terracotta clay with 24 carat gold leaf H:32 W:32 D:3.5cm http://www.victoria-eden.uk/ceramic-art-london daily 0.75 2023-01-07 https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095163459-WSCQB1PJCGDY3OUKAI13/secrets%2Bof%2Bthe%2Bhouse.jpg Ceramic Art London - Secrets of The House The following pages show new work that will be exhibited at Ceramic Art London March 23-25th 2018. This work continues to explore the theme of the unknown interior and forms part of the body of work named "...that Profound and Secret Mystery". Don't forget to press the i button in the right hand corner for the text. In Secrets Of The House everywoman/man moves in and out of dark houses, the inner spaces are uncertain and difficult to read. Each form can be a separate entity or the three forms can come together to make one house. Black clay fired to 1200C with porcelain figures gilded in 24ct gold leaf. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1521489261713-JLWRTDIQPWTDVSE5SZPJ/L1020530.jpg Ceramic Art London https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095163459-WSCQB1PJCGDY3OUKAI13/secrets%2Bof%2Bthe%2Bhouse.jpg Ceramic Art London - Secrets of The House The following pages show new work that will be exhibited at Ceramic Art London March 23-25th 2018. This work continues to explore the theme of the unknown interior and forms part of the body of work named "...that Profound and Secret Mystery". Don't forget to press the i button in the right hand corner for the text. In Secrets Of The House everywoman/man moves in and out of dark houses, the inner spaces are uncertain and difficult to read. Each form can be a separate entity or the three forms can come together to make one house. Black clay fired to 1200C with porcelain figures gilded in 24ct gold leaf. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095181166-YJC3G8AX6MYF84TUUYDH/terrace%2Bof%2Bcaptured%2Bimagination.jpg Ceramic Art London - Terrace Of Captured Imagination Light plays on the front of the terrace but hardly reaches the interior. Each pathway leads confidently to an interior but it is an unknown space. The pieces can stand alone or together.   Smoke-fired porcelain . https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095210877-68BW3Y98NV0P2CC5G17R/shadow%2Bspaces%2B.jpg Ceramic Art London - Shadow Spaces Three forms come together as one, supporting and enhancing each other. Where do the pathways lead? Smoke-fired porcelain with 24ct gilded figures. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1521488854340-4L4AJ576LDP808ODI0B7/L1020530.jpg Ceramic Art London https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095224532-0FV3M5LDXPEK8QNOZ5HE/L1020671.jpg Ceramic Art London - Refuges Three small uninhabited shelters offer refuge. Each form can stand alone or together.   Smoke -fired porcelain. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095236526-X02UXZ629IRW1RDWZK8A/L1020677.jpg Ceramic Art London - Refuges Refuges surface detail. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095247400-81CWD93CHZTG8K2C9VP3/L1020642.jpg Ceramic Art London - Terrace Of The Unknown Unknowns Five small inhabited dwellings live in proximity; each space guarded.   Smoke-fired porcelain. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095258329-1AHJ5TVU5XLTJM68DO2R/large%2BHorreo74.jpg Ceramic Art London - DNA Inheritance:Hórreo The apertures speak of a huge genetic inheritance and provide brief glimpses of the interior. The form is based on the Hórreos of Galicia that store and protect grain as the body protects its interior. Smoke-fired terracotta clay https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095269084-P14PPBDYKTNICGVVLEK9/small%2BHorreo.jpg Ceramic Art London - DNA Inheritance: Small Hórreo The richly embellished facade is decayed and altered by the passage of time and the forces of nature. The base material begins to push through the gilding. There are more questions than answers.   Terracotta with 24ct gilding https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673095280611-O9E23T8D4WLJEMB21A0V/Terracotta%2Bvessel%2Bhouses.jpg Ceramic Art London - Terracotta Vessel Houses Vessel shaped house provide an interior for everywoman/man.   Terracotta with 24ct gilded porcelain figures. http://www.victoria-eden.uk/stratford-gallery-show-april-2029 daily 0.75 2025-04-16 https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1552669101146-QC7OVCO6TGT39M2EVP74/salgenreute3.jpg The Stratford Gallery Exhibition pieces. - Salgenreute Trilogy The pieces shown are inspired by Salgenreute chapel* which stands in a field on a Vorarlberg hillside in western Austria. The chapel’s perfect proportions and minimalist interior create a serene meditational space that encourages reflection and brings the peace sought by humans in a fast paced world. In this tribute to Salgenreute Everywoman emerges, individual, golden and creative, to continue the journey of life with confidence.. *Bernado Bader Architects, Dornbirn, Austria Black stoneware clay with 24 ct gilded figures and gold lustre on the central piece. Height: 31cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1552669101146-QC7OVCO6TGT39M2EVP74/salgenreute3.jpg The Stratford Gallery Exhibition pieces. - Salgenreute Trilogy The pieces shown are inspired by Salgenreute chapel* which stands in a field on a Vorarlberg hillside in western Austria. The chapel’s perfect proportions and minimalist interior create a serene meditational space that encourages reflection and brings the peace sought by humans in a fast paced world. In this tribute to Salgenreute Everywoman emerges, individual, golden and creative, to continue the journey of life with confidence.. *Bernado Bader Architects, Dornbirn, Austria Black stoneware clay with 24 ct gilded figures and gold lustre on the central piece. Height: 31cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673037348347-364J5N2TBCWJ54SUT78R/L1010255.jpg The Stratford Gallery Exhibition pieces. - DNA Inheritance The outer facade is richly embellished yet it is also decayed and altered by the passage of time and the forces of nature. The base material is beginning to push through the gilding. Meanwhile the apertures speak of a huge genetic inheritance and provide brief glimpses of the interior. There are more questions than answers. "The process of life is the unravelling of the truth about ourselves." Anthony Seldon Wall piece or free standing. Smoke fired terracotta clay with 24 carat gold leaf H:24 W:51 D:4cm Collection of the artist. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673012575588-9SIC2FTKC4U5MNPUTYVP/Gilded+Horreos.jpg The Stratford Gallery Exhibition pieces. - Gilded Horreo The form is inspired by traditional Galician storage buildings that stored crops and vital food supplies. Smoke-fired terracotta with 24ct gilding. https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673037610595-EJF2KU0FJF9A4OJ44K6Z/The+Guardian.jpg The Stratford Gallery Exhibition pieces. - The Guardian The cherub, a familiar figure in western culture, frequently appears in both religious and secular contexts. Here he/she watches over this mysterious vessel that has been riven by fire. Once again the small apertures represent DNA and speak of our hidden interior. Smoke fired terracotta on a steel frame with a found object. H: 74cm W: 40cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1673012761794-6U5B2R3D1K8X20NT97LA/The+Guardian-detail.jpg The Stratford Gallery Exhibition pieces. - The Guardian - detail Details as on the previous page https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1552670366554-K0SOVKBLE60K2K4F8QD8/smallGreen+GS.jpg The Stratford Gallery Exhibition pieces. - Small Guarded Spaces Everywoman/Everyman emerges from a small but strong protective home made from ancient materials and forged by the elements. Terracotta clay with white slip and copper earthenware glaze. Corten steel figures with 24 ct gilding. H:12cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1552733480800-C09UYNHJ7851RURTPN5J/Guarded+Thoughts.jpg The Stratford Gallery Exhibition pieces. - Guarded Thoughts The wall-like towers suggest a fortified inner space, a home or a workplace, from which Everywoman/Everyman must emerge to engage with life. Secrets, passions, lies and anxieties are left behind in the closely guarded inaccessible interior. Terracotta clay with white slip and copper earthenware glaze. Corten steel figures. H:40cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1552735172300-ZOGI23XCZ20LA0P0PBSU/best+por+S+GS.jpg The Stratford Gallery Exhibition pieces. - Porcelain Guarded Spaces Pathways or shadows emerge from the guarded spaces. Where do they lead? Where is Everywoman? Smoke fired porcelain. H:10cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1552735489154-BZX059GCF3UNRE5RSA00/terr+of+Un+Ints.jpg The Stratford Gallery Exhibition pieces. - The Terrace of Unknown Interiors Light plays on the front of the terrace but hardly penetrates the interior. Each pathway leads confidently to an interior but it is an unknown space. Smoke-fired porcelain . H:21cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1552735925432-WZR781H4VI23Z41ZXXVJ/Shadow+Spaces.jpg The Stratford Gallery Exhibition pieces. - Shadow Spaces Three forms come together as one, supporting and enhancing each other. Everywoman/ Everyman lives in a small community, nevertheless each home retains its individuality. Smoke-fired porcelain. H:20cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1552736582709-GALPSH0E13I5V25CWTI4/Time+is+comp.jpg The Stratford Gallery Exhibition pieces. - Time is Compressed: The Past, The Present & The Future The past the present and the future come together to make the now. Fire gives energy to these three buildings. Smoke-fired porcelain H: 25cm https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1552737098113-13IYDZQ8MCHW1TWOEZBB/unknown+Unknowns.jpg The Stratford Gallery Exhibition pieces. - Terrace Of The Unknown Unknowns Five small inhabited dwellings live in proximity; each space is guarded. Smoke-fired porcelain with corten steel figures gilded with 24ct gold. H; 8cm http://www.victoria-eden.uk/installations daily 0.75 2015-02-19 http://www.victoria-eden.uk/new-page daily 0.75 2016-03-07 http://www.victoria-eden.uk/about daily 0.75 2025-04-16 https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1490197238377-B9JUZBBDXPW8R2P0296U/priest%27s+skeer.jpg Artist's Statement http://www.victoria-eden.uk/contact daily 0.75 2015-03-26 http://www.victoria-eden.uk/news daily 0.75 2024-02-26 https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1490214663390-MILOBXRWHLZDTZ8252G5/image-asset.jpeg News http://www.victoria-eden.uk/pagecv daily 0.75 2024-02-26 http://www.victoria-eden.uk/new-page-1 daily 0.75 2017-03-22 https://images.squarespace-cdn.com/content/v1/54c4baf0e4b0e39e5e211a77/1490219827929-QGE31LE9KCCE01A02OBF/vessel-house-02.jpg Introduction http://www.victoria-eden.uk/introduction daily 0.75 2023-01-06